After reading Justin Vernon will pretty much never attempt making music as Bon Iver ever again I was mildly crushed. But the man behind Skinny Love (he has better songs than that one, promise) has a golden touch, and I was chuffed to see he’s been working with North Carolina’s The Rosebuds on their new album Sand + Silence.
Here is their newest song called In My Teeth. This alternative-rock number is the kind of song I’d imagine being played on Dawson’s Creek.
On Sand + Silence, that buoyancy’s abundant in songs like “In My Teeth” (a darkly charged but groove-laced stunner steeped in bittersweet memory), “Blue Eyes” (a summery-perfect pop powerhouse built on Motown-inspired rhythms), “Mine, Mine, Mine” (an early-Beatles-esque lark of a love song), and “Death of an Old Bike” (a track that wraps its swirling guitars and woozy harmonies around lyrics about finding hope at the most down-and-out times). But even in its moodier moments (such as the high-drama synth and urgent harmonies in the home-state homage of “Esse Quam Videri”), Sand + Silence shimmers with a sense of promise and possibility—a dynamic that the tense but breezy title track twists into lyrics like “Lonely blue above/Give me a cloud or something right here/‘Cause I’m unfolding in the light right now right here.” And in the doo-wop waltz of “Looking For,” the lovesick sway of “Give Me a Reason,” and the stripped-down yet soaring reverie of “Tiny Bones” (whose vocals were recorded in the woods outside Vernon’s studio, serendipitously capturing the start of a rainstorm and which can be heard closing out the album), Sand + Silence’s starry-eyed melancholy takes on a near-transcendent quality.